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Steve had the voice and keyboard talents while Eric had the guitar side pretty well taped.

[Verse 1: Rob $tone] Rob $tone, two damn phones Babylons can't crack the code Used to sip out styrofoam But figured I should stick to dro (weed! I-Be-On-That-Block, 12-07 fuck an op They hear my name, they see my squad Rolling dope up on the spot I'm with your bitch, she on my jock Ain't got no time to love a thot Got niggas mad, my flow so hot Got niggas mad, my squad won't stop We in the game, won't take no loss I'm sippin' water out the Voss Got lean all in my fuckin' Sprite Turnin' up on fuckin' sight Mr.

) Backwoods overload Don't like to smoke them swishers, ho If you hit my liquor store It's 50 cents for single Ports [Hook: Rob $tone] Said she wanna roll with me and smoke up all my weed I said, "Baby just buy Dutches 'cause you can't smoke for free I got some loud but no money, babe, buy me a Fiji" She said, "You need a job", bitch, fuck a job, I still get cheese [Verse 2: J. Kenny Powers Bout to take your girlfriend home tonight, bitch [Verse 3: Spooks] And I'm smokin' on that widow when you see it out the window Got a dusty old tee, lookin' bummy, leave it simple Growin' up, I was always in the middle So I gotta hold it down for my older and my little And my brothas beside me so fuck it we mobbin' deep Always grimey, no findin' me but I be in LG If your lil' fuckboy lame ass wanna creep I live by the lemon 'cause that fucka chose me [Hook: Rob $tone] Said she wanna roll with me and smoke up all my weed I said, "Baby just buy Dutches 'cause you can't smoke for free I got some loud but no money, babe, buy me a Fiji" She said, "You need a job", bitch, fuck a job, I still get cheese According to Pigeons and Planes, “though ‘Chill Bill’ doesn’t owe a debt to a particular region or style, it signals a community coalescing gradually around $tone and his extended crew.” Rob $tone continues: There’s a scene no one knows about … Ever since 1207 started there has been a sense of unity in the city & I love it.

While Clapton was still God, playing with John Mayall’s Bluesbreakers, he frequently turned out to jam with Winwood during The Spencer Davis Group’s Thursday night residency at London’s Marquee Club in 1966.

The pair would also get together whenever possible at blues festivals and even appeared on record as Powerhouse, a short—lived studio—only combo which had contributed several tracks to What's Shakin', a blues-boom cash-in compilation.

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